A Critical Analysis of Par Fabian Lagerkvist’s “My Father and I”

The short story, “My Father and I” primarily revolves around the journey of a father and son into the countryside on a fantastic sunny day. The journey that they went on to took till darkness set in and the view that they saw during daylight shifted from lovely sceneries to a horrible, at least within the eyes of a child, dark collage of figures.

The story confirmed how beauty can turn into concern as quickly as one element went out, on this case, the sunshine.

It additionally exhibits the difference in the way of thinking between the daddy and the child whereby the child was so terrified while the daddy was as calm as he’s.  This is obvious in the part whereby both of them had been passing through the stream the place the kid was as puzzled as to why his father acted as if he felt nothing while the child was very much afraid. The baby went on to understand in the long run of the quick story that, like he has, his father additionally has fears: solely that the concern that it’s the concern of the things that his father doesn’t know.

The author made his level by taking the point of view of a little youngster who is of course curious of the things that go around him. In the short story, the son is the one which narrates the whole story and it’s his thoughts that the viewers sees. This made him as the principle focus that the writer used.

This method, the curiosity that’s evident in every youngster is played upon by the creator to successfully ship some extent of realization whereby the boy itself answered much of his questions.

The father on the other hand is the one the writer used to depict the pure concern that each parent has with their youngsters. The actions of the daddy show him being protective and a motivator when his son was getting terrified of the darkness. The father also performs a major part in the climax whereby he himself felt fear for his baby after a train came in and nearly hit them. The religion that he has in God one way or the other is the factor that additionally made the child calm yet puzzled.

Lagerkvist effectively made use of descriptive ways in painting out the scenes within the brief story. The narration of each detail was intricately laid out to have the ability to obtain the correct intention in each part of the brief story. His descriptions have been so vivid that the reader could feel as if he was truly walking alongside the daddy and son on the railroad tracks all all through the story.

            The construction and the plot of the brief story are pretty much divided into two specific and distinctive scenarios. First is the picture of the railroad monitor and the surroundings around it. The writer describes each element that’s needed to be able to picture out the place and how the place is lit up by and also the style it reacts to the sunlight. It principally describes for the reader to appreciate the great point about the countryside and the harmony of the world they each are in evident with the first practice scene wherein his father knows that the prepare who’d passed by was a colleague of his.

All this was changed after darkness set in on the countryside and the daddy and son went their way again house whereby the second primary scene sets in. In this explicit scene, all the principle parts that had been described by the writer in the course of the first major scene met its opposite as the quantity of light that was present before went gone and the impact made a depressing image that is terrifying for the child. The mood on this story then on went from calm through the first scene to turn into tense on the second scene especially in the part whereby an unknown prepare from absolutely nowhere popped out of the scene and even terrified the father.

            In basic, the quick story is an effective manifestation of the unconditional concern of fogeys for his or her kids. The bond that was fashioned out of the situations within the quick story made the kid to realize the purpose of every little thing that occurs round them and that the greatest fear that anybody has is the worry on things we do not know.


  1. Lagerkvist, Par. The Marriage Feast and Many Others. Chatto and Windus. 1955.
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